I double-dog dare you -- Mark Russell at The
Commercial Appeal, David Plazas at The Tennessean -- or USA Today Network Tennessee -- and Gannett CEO Bob Dickey
in McLean, Virginia -- anybody, to run this opinion piece. I mean This, not a sentimental, boo-hoo letter to editor about axing editorial staff at newspapers. Or else, Gannett has zero credibility.
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| Dania Helou: Who Will Watch the Watchers when there are no reporters left? Moore Media Images |
Jerome
Wright hanging up his green eye shade was the last straw for me, although Jerome says
he retired, unlike 15 or so editorial staffers at The Commercial Appeal in Memphis, Tennessee, and more at other Gannett properties in Tennessee. Green eye shade might be too 1930-ish for
Jerome's 1970s-forward generation of journalists. But, in what he is calling a farewell column, The Commercial Appeal’s opinion editor
recalls a vastly different era of newspapering. It
moved through a series of technology changes, such as from manual typewriters to computers, from hot metal type to offset printing, before the market for printed news withered in the face of the Internet.
Nowadays,
reporters and editors don't actually touch much more than a keyboard – let
alone melted metal to make a newspaper -- and newsrooms sound like an insurance
office or bank -- not like the raucous scenes in old movies. Yet, Jerome came up as that era was ending and
technology was taking over, before capitalism ultimately smashed the free
press.
THOSE
DAYS
In
those days, every city over 100,000 population had two daily papers. There were glue pots on every desk, and cut and paste really meant it. There was noise even when the
presses upstairs were not thundering in the old Ford glass plant at The Commercial Appeal morning newspaper in Memphis, and there
was lots of yelling, like editors hollering, "Copy!"
to summon a "copy boy" or "copy girl," usually a college journalism student, to fetch this or that piece of copy or something else.
In
those days, press releases were not emailed, texted, tweeted or even faxed,
they were mailed in – or even hand-carried, like when a World Football League
team on the edge of its existence would send over the beat writer’s favorite
cheerleader – wearing her uniform -- to
hand-deliver it while every guy in the newsroom gawked.
Jerome
and others endured the changing technology and business model – I don’t
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| Jerome Wright in 1974 Commercial Appeal photo |
know
how he stood it for 46 years -- but somebody had to do it, and I am glad he
did.
THE
SUBURBAN ITCH
In
Jerome’s final work, he was grasping for memories. There is one Jerome Wright column that he
left out, but it and the acquittal of George Zimmerman for killing Trayvon Martin later led me to the idea for our comedy short film,
“The Suburban Itch,” a role reversal of a film which may be described as Guess Who’s Coming to Dinner meets Blackish in 10 minutes.
As
I recall from his story, Jerome was jogging at twilight, and a car load of
rednecks drove slowly behind him and razzed him. One threw a bottle at him. Jerome took it like, What is a black guy like
you doing running in a mostly white neighborhood?
In
“The Suburban Itch,” we turned that upside down, and a white young man is hassled
by police upon suspicion while running-while-white on Chelsea near
Hollywood in mostly black North Memphis.
USA
TODAY AND JOHN SEIGENTHALER
When
I tried to post Jerome’s farewell column to Facebook, the Gannett website did
not function, did not hook me up to Facebook – which is exactly how The Tennessean
website looks and works, or does not work, and it drove home one more time how we now
have homogeneous journalism in Tennessee.
To
hide behind euphemistic titles like “storytelling coach” and “consumer
experience director,” like The Tennessean
staff, just won’t cut it. That does not
fool anybody who knows centralized reporting takes the local edge off
news. There used to be veteran state
politics reporters at newspapers in the state’s largest cities, and
Memphis had Richard Locker, Knoxville had Tom Humphreys and Nashville had Larry Daughtery. Now the state legislature,
which is already corrupt and misguided enough, will get away with even more as
there will only be the Nashville newspaper covering the legislature and the
governor’s shenanigans.
John
Seigenthaler is rolling over in his grave.
I know it for a fact. When
Seigenthaler became the founding editor of Gannett’s USA Today, little did he
know it would lead to a free press and the public interest coming in last place
to stock price and bonuses in the C-suite.
By the way, in news of recent cuts to editorial staff, I missed seeing
where Gannett’s CEO and executives were going to do their part to make the numbers work by foregoing their stock options.
The
last time I saw Seigenthaler was 2012 when he was 84, two years before he died. This
is a man who as Bobby Kennedy’s aide was knocked unconscious by a Klansman in
Montgomery while he sought to quell violence against Freedom Riders. He was not talking to me about consolidation
of assets, or convergence of media, or earnings per share. He was worried that a woman was wrongly in
state prison, and he was working to shed light on her story and get her some
relief.
We
are going to miss that sort of thing in the press. But, we better not. We better do something. A robust and free press goes hand in hand
with democracy. As an unhinged President
bashes and punishes the press, and as dissent and the First and Fourth
Amendments are under attack everywhere, including in Memphis where we have police
and a mayor conducting surveillance of citizens, there is a choice: democracy and a free press, or a further
spiral into the abyss of a system that rewards those who least need help and
despises those who do.
With
the demise of local journalism, in Memphis, Nashville, Knoxville, everywhere,
there will be a hole in the story. Looming ever larger will be the question
posed by the title of our documentary: Who
Will Watch the Watchers?
Gary Moore operates the
non-profit Citizens Media Resource and Moore Media & Entertainment, which
makes films about social justice issues.
Moore formerly was a sportswriter at The Commercial Appeal.
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| After the newspaper went from hot type to offset printing, editors would use this form to mark up printing instructions. Nothing like this exists today. |
